Miss Lovely (2014)
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A Hindi feature film set in the lower depths of Bombay's "C" grade film industry. Miss Lovely follows the devastating story of two brothers who produce sleazy horror films in the mid-1980s.
Sonchiriya (2019)
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In the more or less lawless Chambal Valley in 1975, a gang of bandits led by Maan Singh are up to mischief. The lawless men, who call themselves Bhaagis (rebels), live by robbery and attack the villages in the area. Since they have previously committed a more than shameful crime, they are hunted mercilessly by the police. When Maan Singh learns about a treasure of gold that is about to change hands at a wedding reception, the target of their next heist is clear. They have no idea that it is an ambush of the police. Some of the gang members barely manage to escape and flee into the inhospitably barren surrounding area. While a dispute arises about how to proceed, they meet a woman from the lowest caste who is being hunted by a family clan. In their care there is a girl who was raped and seriously injured by the leader of that clan. The bandits see the opportunity to atone for their shameful crime.
Nude: Chitraa (2019)
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The anguish that negligent children can cause is depicted here from the parents' perspective. Raghavaraju (Prakash Raj) is a farming landlord in Atreyapuram village of Andhra Pradesh. He lives with his wife Janakamma (Jayasudha), along with his son Bangararaju (Naresh) his wife, and his son Raju (Sharwanand). Raghavaraju lives in this ancestral house built by his forefathers consisting of many generations living in the same household as a Joint family. However with changing times Ragahvarju's NRI sons and NRI daughter live in the United States, Canada, and Australia as nuclear families. After a gap of 10 years, all his children arrive in the village during the holiday season of Makar Sankranti, under mysterious circumstances after they receive an email from Raghavaraju who expresses his wish to divorce his wife Janakamma. What happens next and the events leading to this mysterious situation, and how Raghavaraju conveys his midlife crisis to his children forms the crux of the story.